1 star (out of 5)
By R. Kurt Osenlund
It doesn't take long to gather the influences trickling through Derick Martini's Hick, an aimless tumbleweed of a road movie if ever there was one. Pointing a .45 at a bedroom mirror in her shabby Nebraska home, which rests in the silo-riddled outskirts of a podunk main drag, 13-year-old Luli (Chloë Grace Moretz) does her best Travis Bickle while reciting lines from Dirty Harry. Her walls are papered with drawings of both cowboys and princesses, and as she asks her reflection if it "feels lucky," she shakes her hips to move the ruffles on a pair of rainbow panties. Over the rainbow is indeed where Luli dreams of ending up, and with her halter top, sunglasses, pistol, and improvised basket (a fringed and studded cowgirl's handbag), the soon-to-be runaway looks every bit the hybrid of Judy Garland's Dorothy and Jodie Foster's Iris Steensma, whose mohawked guardian seems a Luli fantasy spawned by daddy issues (her boozy father, played by Anson Mount, is barely in the picture).